SYNOPSIS
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And the birds sing…
Pier Paolo Pasolini gives like key of his poetic production the expression: Ab gioia. The nightingale which sings ab gioia: of joy, by joy.
And it is this expression taken apart from any determination and cultural explanation that I would like to find in Orgia. By its structure and its set of themes, Orgia returns us to the ancient tragedy, but as well to the Divine Comedy of Dante or lying painted by Mantegna. Orgia is a mythological song. I hear the difficulty there that the human being has to communicate as soon as the structure of communication exceeds the given structure of its thought. An element has surprised me with the first reading of the text. In the first Episode between the Man and the Woman, an expression put in capital letter returns constantly

EPPURE NESSUNO PARLAVA / And yet nobody spoke.
This sentence, range ahead, enabled me to read Orgia by evacuating all the psychological influence of the characters which harms the vital action of the words. Which is thus the possible situation of stating to make hear this Theatre of Word?
There is in the text no indication of decoration. Any place can thus lend itself
with the ritual of the Word, in condition however, which it allows the ritual. I discovered a place through dream. It was a place of Abyss where somebody "took my hand in his, of a merry air which comforted me, it made me penetrate in the world of the mystery". A lost Man was inserted there and in its fall, it was accompanied by primitive and luminous organizations - wandering and metamorphosed dead hearts other lost Men. I wanted that scenographic space, finds this place and this idea of depression about which Dante speaks. Thus the artificial organizations that we conceived are the mysterious vehicles of a word which tries to overcome the curse of its loneliness by overcoming its incapacity to communicate.
Jean Lambert-wild

TECHNICS
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Space scénographique
The Daedalus system is a diffuse interaction between actors and artificial organizations modelled and conceived starting from algorithms inspired of living organisms at the ocean floor. These artificial organizations are named of Posydones.
They are divided into two species equipped with specific behaviors: Apharias and Hyssards. To set up the Daedalus system, the techniques of the systems multi-agents were used. Each Posydone is thus an agent, i.e. an entity
who evolves/moves in an environment. It is able to perceive and act in this environment. It can communicate with other agents, and has an autonomous behavior. In addition the physiological states of the actors are recorded by a whole of sensors whose information acts on the behavior of Posydones. The visualization of these artificial organizations in 3d and their interactions with " the emotions " of the actors in scenic space is made possible by the use of the engine of animation 3d real time (AAASeed) like by an optical illusion based on a phenomenon of reflecting .

The team of the project :
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French text and setting in scene: Jean Wild Lambert
Music: Jean Luc Therminarias
Modeling 3d in jellyfishes: Cecile Babiole
Technological cell: UTBM Laboratory systems multi-agents
Manager of the systéme Daedalus: Stéphane Pellicia
The woman: Mireille Herbstmeyer
The man: Eric Houzelot
The Girl: Nolwenn Of



Materiel Uses :
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oo much heavy to detail it here and too specific to the creation of Orgia. Possible information on request.

PARTNERS AND MORE INFOS
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Théâtre du Granit de Belfort